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It is true I’ve never understood the Stanley Kubrick thing of doing 90 takes of an insert of someone opening a door knob. Joel Coen responded, “We just are not perfectionists. Oscars 2023: Best Visual Effects Predictions Jeff Bridges: 'Iron Man' Is 'the Best Marvel Movie,' but It 'Drove Me Absolutely Crazy' You kind of know more than any other director I’ve worked with … you have a confidence in early takes.”įX Action Thriller 'The Old Man' Almost Didn't Make Its Finale Sometimes after the first take you’d nod to Ethan and I’d be like, ‘Another take, please!’ I’d have to plead for a second take. ‘Fargo’ was 150,000 feet of film, which is ridiculous. “Your film-to-cut ratio is so low relative to any other director I’ve worked with. “You never shot much film,” Deakins said. Deakins has worked with the Coen Brothers more than any other filmmakers over his career, shooting 12 of their movies starting with “Barton Fink” and earning Oscar nominations for his work on “Fargo,” “O Brother, Where Art Thou?,” “The Man Who Wasn’t There,” “No Country for Old Men,” and “True Grit.” Deakins told Joel during the podcast conversation that the Coen Brothers remain the most confident directors he’s ever worked with when it comes to the amount of footage shot. The “Team Deakins” podcast released a long-hoped-for episode this week as Joel Coen joined Roger Deakins for a nearly 90 minute discussion about their collaboration.

No coutnry for old men script it will be placed at my feet